Lots of updates regarding TheScreenplayWriters.com.

Hire a film director

We have started our new ‘hire a film director‘ option recently.  Since our motto has been to provide the best film related services at the best prices, we have priced this service most reasonably at $12,000 (Rs. 550,000). Click here to know more. We plan to bring a wider range of options (hire a film director) for you soon. So if you are planning a film, you have to look no further – we have your director.

Bhootnath movie poster

Sudhanshu – Screenwriter of the Superhit Film ‘Bhootnath’

Sudhanshu, screenwriter of popular Bollywood films like Bhootnath, Anjaan, Hunko Deewana Kar Gaye, Kal Kisne Dekha and Suppandi (under production) is now a part of our team. Click here to know more. If you have a large blockbuster in mind, of the dimension of ‘Bhootnath’, mail us at info@thescreenwriters.com.

The Union Cabinet today approved the proposal to introduce a Bill to amend the Copyright Act, 1957.  The Ministry of Human Resource Development has proposed the amendments in order to gain clarity, remove operational difficulties and to address the newer issues that have emerged in the context of digital technology and the internet.

Amendments are being made to bring the Act in conformity with the World Intellectual Property Organisation (WIPO) Internet Treaties, namely WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT) which have set the international standards in these spheres.  The WCT deals with the protection for the authors of literary and artistic works such as writings, computer programmes, original databases, musical works, audiovisual works, works of fine art and photographs.  The WPPT protects certain “related rights” which are the rights of the performers and producers of phonograms.  While India has not yet signed the above two treaties it is necessary to amend domestic legislation to extend the copyright protection in the digital environment.

Amendments related to bring the Act in conformity with WCT and WPPT :

·         Through a new section in the Act, it is proposed to ensure protection to the Right holders against circumvention of effective technological measures applied for purpose of protection of his rights like breaking of passwords etc. while maintaining an appropriate balance between the interests of the right holders on the one hand and of Technology innovators, Researchers and Educational Institutions on the other.
·         The existing Performers’ Rights are proposed to be further enhanced by introducing a new section to provide exclusive rights compatible with WPPT.
·         “The Moral Rights of Performers” are proposed to be introduced in a new section.
·         Amendments have been proposed to protect the interests of researchers, students and educational institutions so as to ensure that Technological Measures do not act as a barrier for further development of the technology.  These amendments also address the issue of access to information in the digital context and the liability of Internet service providers.
·         The period of copyright for photographers is proposed to be enhanced to “Life plus sixty years” instead of only sixty years as at present.

Amendment to protect the Music and Film Industry and address its concerns :

·         Statutory licence for version recordings and authorship to ensure that
while making a sound recording of any literary, dramatic or musical work the interest of the copyright holder is duly protected.
·         Term of copyright for cinematograph films has been extended by making
the Producers and Principal director as joint authors.
·         A copyright term of 70 years to Principal Director which automatically
extends the copyright term for the Producers for another 10 years provided he enters into an agreement with the Director;

Amendments to address the concerns of the physically challenged:

The physically challenged need access to copyright material in specialized formats, e.g. Braille text, talking text, electronic text, large print etc. for the visually challenged and sign language for the aurally challenged.  Currently the cost of production of material in such formats is very high.  With additional requirement of royalty payments the price of such material to the target groups would be even higher.
·         A clause is proposed to be introduced as a fair deal clause to allow the production of copies of copyright material in formats specially designed for the physically challenged.
·         A separate compulsory licensing provision has been proposed to allow for publication of copyright works in formats other than specifically suited for the physically challenged.

Amendments for rights to authors:

·         Amendment is proposed to give independent rights to authors of literary and musical works in cinematograph films, which were hitherto denied and wrongfully exploited, by the producers and music companies.
·         An amendment is proposed to ensure that the authors retain their right to receive royalties and the benefits enjoyed through the copyright societies.
·         Another amendment ensures that the authors of the works, particularly songs included in the cinematograph film or sound recordings, receive royalty for the commercial exploitation of such work.
·         It has been proposed to introduce a system of statutory licensing to ensure that the public has access to musical works over the FM Radio and Television networks and at the same time the owners of copyright works are also not subject to any disadvantages.
·         It is proposed to amend existing provisions to provide compulsory license through Copyright Board to publish or communicate to the public such work or translation where the author is dead or unknown or cannot be traced or the owner of the copyright work in such work cannot be found.

Other amendments

·         Amendments are being made for incidental changes, which are required in the context of digital technology to cover “storing of copyrights material by electronic means’.
·         Amendments in relation to operational facilities, such as registration of Copyright Societies by providing that only authors can register and procedure for tariff schemes of copyright societies and commercial distinction between assignment and licence; and
·         Enforcement of rights such as border measures, disposal of infringing copies and presumption of authorship under civil remedies.

Background :

In order to formulate the proposed amendments and to carry out wide-ranging consultations with all stakeholders, the Ministry of Human Resource Development had constituted a 30-member Core Group in the year 2005 under the Chairmanship of the Education Secretary with representatives of the other Ministries/Departments concerned with the subject and other key stakeholders like copyright-industry organizations, stakeholders, subject experts and Institutions of repute in related fields.  The Core Group had deliberations at length in five sessions to cover all the provisions of the existing statute and made recommendations with regard to the proposed amendments.  The Core Group then created a Drafting Committee to draw up the text of the proposed amendments and to fine-tune the recommendations of the Core Group.

By Pinaki Ghosh

TheScreenplayWriters.com, which was my US writer friend Nick Blake’s and my brainchild, completed little more than 20 days since launch on 31 August and has bagged a number of new projects already.  Of course the people associated with the new service are not new; I feel glad to say, each of our team members have backgrounds of huge experience.

TheScreenplayWriters.com is unique and one of its type because it is the only screenplay writers’ agency to employ both Hollywood and Bollywood screenwriters.

The first project that was confirmed was director Raj Rahi’s  (Jo Bole So Nihal) new English movie Angel Jay. The name of the movie may change though. The second project to roll in was from Dubai, and was about the Iraq war. The subject was challenging, and I was already wreaking my brains with Raj Rahi’s project, so my US writer friend Nick Blake volunteered to take up the Iraq movie project. When the Iraq movie project came up, Nick was on a vacation in Maine with his wife Laura and we had massive communication problems, with the mobile phone signal fading out more often than not, from Nick’s side. Nick had to come to the town library in Maine to check my mails and reply them. I hope I did not ruin Nick’s perfectly planned holiday.

The next to come our way was a Bengali movie project, which has not been finalized yet. It was piece of cake for me, because I am a Bengali by birth. Did I forget to mention that there was a Kannada movie screenplay enquiry on the second week? Though I was not too keen to take up the project simply because I don’t know the language (but would love to), Nick however was very eager to take up the project and spent one day searching for a reliable Kannada film writer.

There were a couple of very positive enquiries from Gurgaon and Bangalore. Both from first time filmmakers, whose passion is genuine. Hopefully the Bangalore project will materialize this month and the Gurgaon screenplay project will take longer.

Good news is that a lot of good film writers are approaching us and we have found some really talented writers in the process. One writer I would like to mention is Shivani T, who wrote the story ‘Sex on the Beach’, one of the ten short stories of the critically acclaimed film ‘Dus Kahaniya.’